Jean Baptiste Camille Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed. Related Paintings of Jean Baptiste Camille Corot :. | Woman in Blue | View of the Colosseum from the Farnese Gardens (mk09) | Recreation by our Gallery | Woman with a Pearl | Landscape with a peasant Girl grazing a Cow at the Edge of a Forest | Related Artists: Ramsay Richard ReinagleBritish Painter, 1775-1862
was an English portrait, landscape, and animal painter, and son of Philip Reinagle. Ramsay Richard Reinagle was a pupil of his father, whose style he followed, and he exhibited at the Royal Academy as early as 1788. He afterwards went to Italy, and was studying in Rome in 1796. Subsequently he visited Holland in order to study from the Dutch masters. After his return home he painted for a time at Robert Barker's panorama in Leicester Square, and then entered into partnership with Thomas Edward Barker, Robert's eldest son, who was not himself an artist, in order to erect a rival building in the Strand. They produced panoramas of Rome, the Bay of Naples, Florence, Gibraltar, Algeciras Bay, and Paris, but in 1816 disposed of their exhibition to Henry Aston Barker and John Burford. In 1805 Reinagle was elected an associate of the Society of Painters in Watercolours, and in 1806 a member. He became its treasurer in 1807, and was president from 1808 to 1812 Between 1806 and 1812 he sent to its exhibitions sixty-seven drawings, mostly Italian landscapes and scenery of the English lakes. During the same period he exhibited portraits and landscapes in oil at the Royal Academy, of which he became an associate in 1814, and an academician in 1823. He was a clever copyist of the old masters, and is said to have been much employed by a picture-dealer in restoring and 'improving ' their works.In 1848 he sent to the Royal Academy exhibition as his own work a small picture of 'Shipping a Breeze and Rainy Weather off Hurst Castle' painted by a young artist named J. W. Yarnold, which he had purchased at a broker's shop, and in which he had made some slight alterations. Attention was called to the imposition, and a full inquiry made by the academy resulted in his being called upon to resign his diploma as a royal academician. In 1850 he published in the 'Literary Gazzette' two letters in which he unsuccessfully endeavoured to exculpate himself.He continued to exhibit at the academy until 1857, HEEMSKERCK, Maerten vanNetherlandish painter (b. 1498, Heemskerck, d. 1574,
Haarlem). Vicente Palmaroli Gonzalez1834-1896
Spanish
Vicente Palmaroli Gonzalez Gallery
His father was the Italian lithographer, Gaetano Palmaroli and he studied in San Fernando's Royal Academy. He later went to Rome in 1857 to complete his training, and he lived there until 1866. One year later, he went to the Paris World's Fair of 1867. He met Ernest Meissonier, who influenced his later works.
He was academician in San Fernando's Royal Academy, and director in the Spanish Academy in Rome and Prado Museum (1893-1896).
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